There’s a beautiful marriage happening with Greg Abate’s Magic Dance: The Music of Kenny Barron. It’s the union between Abate’s multi-instrumental gift of bebop and Kenny Barron’s varied and sublime compositions. Abate and Barron, who, in addition to lending Abate his material, handles keys on this recording session, are soul mates occupying the same lovely musical space. With Barron’s material and Abate’s fresh vision, the two-disc set, recorded over three days at Rudy Van Gelder Studio in New Jersey, is a revelation. Says Abate: “Kenny was kind enough to provide me with music for a range of his tunes, some more well-known than others. The only difficult part was choosing which ones to record.” Abate researched and reworked Barron’s music, inserting his own ideas when appropriate, enhancing his arrangements with multiple sax overdubs, and, when the original was so good, it made sense to leave well enough alone. The project was challenging, multi-dimensional, and immensely gratifying. “I even scored a big band sax section (two altos, two tenors and bari) on ‘Innocence’ and ‘Voyage.’ The other 12 tracks have either one horn or two horns in harmony.”