Birdsongs Of The Mesozoic biography:
BIRDSONGS OF THE MESOZOIC play an eclectic blend of rock, avant-garde noise, punk, classical, minimalist and free-form music with hypnotic electronic sequences. They began in the early 80's as a side project by pianist/percussionist Roger Miller and guitarist Martin Swope from Boston's MISSION OF BURMA. After many changes, the line-up eventually settled down to Erik Lindgren (piano and organ), Ken Field (saxes, flutes and percussion), Rick Scott (synths, piano and percussion) and Michael Bierylo (guitar, programming and sound design).
They've released ten albums to date, including two EP's and one compilation disk. Although they rely heavily on keyboards (one of their albums actually features 3!), they throw in just about anything and everything they can get their hands on. Some sax and acoustic piano also give their electronic sound a pleasant organic texture. For those who want to get acquainted, their latest three releases are a good start: "Dancing on A'A" (1995) could be described as Stravinsky with tribal rhythms and spacey keyboard solos; "Petrophonics" (2000) emphasizes the jazzier, more melodic side of the band; finally, "The Iridium Controversy" (2003) embodies just about everything this band is about, abounding with classical structures played energetically with traditional rock instruments.
Recommended for the highly adventurous (let's face it, a band that lists "chain on metal, a Mercury Cougar hubcap and a paint can" among their instruments should be a fair warning as to their 'unorthodox behaviour'. No pun intended here, except to say that BRAND X sound like pussy cats compared to these guys). Fans of ZAPPA, KING CRIMSON, AFTER CRYING and particularly UNIVERS ZERO will love this.

Review Album:
The most amazing thing about Birdsongs Of The Mesozoic is that they came out of Boston, a city, despite being home to two of the best music schools in the world, has almost no ear for interesting music. When you think of Boston bands, what comes to mind? The mostly generic arena rock of Boston? The too simplistic pop of The Cars? Bleah!
There is almost no prog in Boston. My friends & I were once the only ones to show up at an Echolyn concert. So it's quite a surprise that Birdsongs can actually thrive here.
This album is quite good. It was the first I had head without Roger Miller (no, not that one). The tone without Miller, to me is a bit less harsh, and very palatable. The majority of the original songs here are inventive and creative, taking unexpected turns rhythmically, melodicly, and tonally. And each piece is completely unique.
The problems on this disk begin with the covers, an okay but nothing special version of The Simpsons theme song, which doesn't come close to their cover of The Rock & Bullwinkle theme, recorded for their first full length album, and Eno's Sombre Reptiles, which makes me yearn for 801's spectacular version from their live album.
The disk is also 2 songs too long. They should have left off "Tomorrow Never Came", a song using a rhythm borrowed from The Beatles "Tomorrow Never Knows" as well as some small pieces of the melody. The song goes nowhere and stays there for its entire 4 minutes. The album ends with a boring rendition of Brian Wilson's "Our Prayer" played as a straight chamber piece.

Отчёт EAC об извлечении, выполненном 25. февраля 2011, 0:26 для диска:
Birdsongs of the Mesozoic / Pyroclastics

Дисковод: HL-DT-STDVD-RAM GH22NP20 Adapter: 3 ID: 0
Режим чтения: Достоверный (C2: нет, Точный поток: да, Отключение кэша: да)
Коррекция смещения при чтении: 102
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Встроенный Win32-интерфейс для Win NT/2000


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Имя файла D:\_Music\_Audio\Audio Collection vol. 38\12_Birdsongs of the Mesozoic\1992_Pyroclastics\Birdsongs of the Mesozoic - Pyroclastics.wav

Пиковый уровень 98.4 %
Quality диапазона 100.0 %
CRC A6073663
Копирование... OK

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