Richie Havens' finest recording, Mixed Bag captures the essence of his music and presents it in an attractive package that has held up well. A close listen to lyrics like "I Can't Make It Anymore" and "Morning, Morning" reveals sadness and loneliness, yet the music is so appealingly positive that a listener actually comes away feeling uplifted. In fact, on most of the songs on this album, it's the sound of Havens' distinctive voice coupled with his unusual open-E guitar tuning, rather than the specific lyrical content of the songs, that pulls the listener in. The six-and-a-half minute "Follow" is structured like a Dylan composition in the "Hard Rain" mode, with its memorable verse-ending refrain, "Don't mind me 'cause I ain't nothin' but a dream." Both "Sandy" and "San Francisco Bay Blues" have a jazzy feel, while the aforementioned "I Can't Make It Anymore" would not have been out of place in a movie soundtrack or pop radio playlist of the time. "Handsome Johnny," one of Havens' best known songs as a result of the Woodstock film, is a classic anti-war ballad, stoked by the singer's unmistakable thumb-chorded guitar strumming. Mixed Bag winds up with a soulful cover of Dylan's "Just Like a Woman" and an electric piano-propelled take on the Lennon-McCartney classic, "Eleanor Rigby." by Jim Newsom
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Mixed Bag is the debut studio album by Richie Havens and was released in 1966. Although it was Havens' first album release, Douglas Records later issued two unauthorized albums of material that had been recorded prior to the Mixed Bag recording sessions—Electric Havens (1968) and Richie Havens' Record (1969). Mixed Bag was released after Havens signed on with manager Albert Grossman and was released on Verve Folkways, a new folk music imprint of Verve Records.

Mixed Bag is frequently cited as the singer's best work, and was his first album to appear on Billboard's charts (appearing on both the jazz and pop charts). The recording was the first to introduce a wider audience to Havens's rich baritone vocals and the full-sound of Havens's distinct guitar style (thumb-chorded and played in open E tuning). Electric Havens and Mixed Bag were two of the records reported among the personal collection of Havens' one-time Greenwich Village buddy, Jimi Hendrix.